![]() He worked at the Minneapolis Star and Tribune from 1938 to 1951, except for three years during World War II. The story of Kay Bank Recording begins with Vernon Charles Bank. (Material taken from the Minneapolis Star Tribune, – article by Jon Bream) “They were a superb and very cheap acoustical treatment.” “I built those doors if you look carefully at them, you’ll see they’re very solid, very thick,” he said proudly, peering at the dark-pink 4-inch-thick doors to Studio A. “My wife helped glue up the egg cartons,” he said, referring to the dozens of empty containers still visible in Studio B. In 1953 he bought Schmitt’s equipment and moved it into the theater, converting it into Bruce Swedien Recording Studio. After majoring in electrical engineering (and minoring in music) at the University of Minnesota, audio engineer Bruce Swedien became the operator of the Schmitt Music company’s recording facility. There may have been some interim businesses in the building.īruce Swedien was born April 19, 1934, in Minneapolis. It closed in 1950, and was listed for sale in September 1951. In October 1932 the name changed to the LaSalle Theatre. There were many Garrick theaters, named after an English actor. The building’s first use was as the Garrick movie theater, which opened on June 8, 1914, by John C. This page covers only the recording studios that have been in this building for other recording studios in the Twin Cities, please see Twin Cities Recording Studios. This building, which still stands after 100 years, had a huge influence in Twin Cities entertainment. Quite a number of notable recording studios have made their home in the building at 2541 Nicollet Ave. “Digital recording was available and we were all quite impressed with its clarity, but if you start the music in digital you can never go back to analogue and it won’t sound as good.Many thanks to Derik Olson, local music expert, for help with his research for this page! “Quincy wanted a name for the process that I used when I recorded Michael’s stuff, because what I did was record all of the tracks analogue first,” Swedien explained in a 2018 interview with Reverb. Swedien pioneered a recording technique he called the Acusonic Recording Process while working on Thriller. It isn’t going to come to you you have to go after it.” That is a lifetime commitment, you have to do it. In an interview with Tape Op he said: “Music recording is not very forgiving. Swedien also worked with Paul McCartney, Diana Ross, Mick Jagger, Barbra Streisand, Jennifer Lopez, Roberta Flack and others. What has made our relationship last is the fact that true friendship, such as ours, is based on mutual respect.” “I don’t think that brothers always agree, either. “We have had heated arguments resulting from differences of opinion between us,” Swedien has said. After partnering with Jones, the pair worked together on hit records by Rufus and Chaka Khan, George Benson, and Donna Summer. I have always said it’s no accident that more than four decades later no matter where I go in the world, in every club, like clockwork at the witching hour you hear Billie Jean, Beat It, Wanna Be Starting Something, and Thriller … to this day I can hear artists trying to replicate him.”Ĭome the late 1960s he also began working with soul artists, helping to make Higher and Higher and I Get the Sweetest Feeling hits for Jackie Wilson. “Along with the late great Rod Temperton, we reached heights that we could have never imagined and made history together. Bruce Swedien, second left, with Quincy Jones, far right. ![]() Jones has paid tribute on Instagram, calling Swedien a “sonic genius … He was without question the absolute best engineer in the business, and for more than 70 years I wouldn’t even think about going into a recording session unless I knew Bruce was behind the board. Swedien was admired by generations of music producers, including Jones, with whom he worked on Michael Jackson’s albums Off the Wall, Thriller and Bad Swedien also worked on Bad’s follow-up, Dangerous. We will love you forever, Bea and Roberta.” “He had a long life full of love, great music, big boats and a beautiful marriage. A legend in the music industry for over 65 years and 5-time Grammy winner, he was known for his work with Quincy Jones, Michael Jackson and many more. In a Facebook post, she wrote: “My dad, Bruce Swedien, passed away peacefully last night, November 16th. His daughter Roberta said he had died in his sleep on Monday night. Bruce Swedien, the studio engineer who helped define Michael Jackson’s 1980s sound, has died aged 86. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |